Peana opens a solo exhibition presenting works by Tomás Díaz Cedeño

The proportion between the natural and the artificial, as well as the continuous interaction between empirical belief systems and scientific methodologies, constitute the central axis of the artistic production of Tomás Díaz Cedeño (Mexico City, 1983). “Using this body, thinking of the fountain.” is part of this dichotomy, providing a compendium of seven sculptural installations whose physical approach is based on the artist's drawings and studies, transformed through the use of different materials, textures, objects and images that offer keys to reflect on the artist’s relationship with three main arguments: landscape, architecture and textiles. What circumstances and attitudes can be adopted in favor of the guarantee of nature from the perception of the creative genesis? What relevance does this interaction acquire in the current local and international production? Díaz Cedeño appropriates these

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