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By: AO Art Observed on Thursday, January 27th, 2022 at 1:47 pm
Vito Schnabel has purchased the Chelsea exhibition space that he has been renting. “It’s an incredible space with amazing light. The artists love it and embrace it as well,” he says. “Chelsea has always been a special neighborhood for me, and I’m happy to be a part of its fabric.” Read more at NY Post […]... |
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By: AO Art Observed on Thursday, January 27th, 2022 at 1:47 pm
Vito Schnabel has purchased the Chelsea exhibition space that he has been renting. “It’s an incredible space with amazing light. The artists love it and embrace it as well,” he says. “Chelsea has always been a special neighborhood for me, and I’m happy to be a part of its fabric.” Read more at NY Post […]... |
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By: AO Art Observed on Thursday, January 27th, 2022 at 11:50 am
Pablo Picasso’s grandaughter Marina Picasso, and her son, Florian, are preparing to release a series of NFTs of the artist’s hand-painted ceramics. “It’s a work that represents a face, and it’s very expressive,” Marina Picasso says. “It’s joyful, happy. It’s one of those objects that have been part of our life, our intimate lives—my life with my children.”... |
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By: Arts Journal on Thursday, January 27th, 2022 at 11:04 am
“Asked which changes to the English syllabus they felt would most help their students, 80% of secondary school teachers, and 69% of primary school teachers, said they wanted more diverse and representative set texts.” 99% of British students graduate without having studied a book by a nonwhite author. – The Guardian
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By: AO Art Observed on Thursday, January 27th, 2022 at 11:00 am
Giorgio Griffa, Dittico lieve odulaato (1996), via Casey Kaplan On view at Casey Kaplan this month in New York, the gallery has unified a series of works created by the Italian artist Giorgio Griffa, creating a near-past retrospective that explores the artist’s work over the last 20 years throguh a selection of seven paintings. This exhibition […]... |
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By: AO Art Observed on Thursday, January 27th, 2022 at 10:56 am
The Whitney has released a 63-artist list for its upcoming Biennial, which will open this April, under the title “Quiet as It’s Kept.” “The Whitney Biennial is an ongoing experiment, the result of a shared commitment to artists and the work they do,” curators David Breslin and Adrienne Edwards said in a statement. “While many of these underlying conditions are not... |
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By: AO Art Observed on Thursday, January 27th, 2022 at 10:56 am
The Whitney has released a 63-artist list for its upcoming Biennial, which will open this April, under the title “Quiet as It’s Kept.” “The Whitney Biennial is an ongoing experiment, the result of a shared commitment to artists and the work they do,” curators David Breslin and Adrienne Edwards said in a statement. “While many of these underlying conditions are not... |
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By: AO Art Observed on Thursday, January 27th, 2022 at 10:50 am
Charles Ray gets a profile in the NYT this week, as he prepares to open a new show at The Met. “The pace and rate at which Ray works are important,” says Hamza Walker, the director of the nonprofit art space LAXART in Los Angeles. “It’s perverse on the one hand; he could sit with something […]... |
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By: Arts Journal on Thursday, January 27th, 2022 at 10:31 am
“I have spent the past two years immersed in writing a book about the man and his music. Beethoven’s most appealing feature is his progressive impetus, his need to flout precedent, to prick the pompous and kick the fools. The new AI confection is made by ticking digital boxes.” – The Critic
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By: Arts Journal on Thursday, January 27th, 2022 at 10:05 am
“For decades, Barenboim and the Staatskapelle shared common interests. Now, ’til death do us part’ has become a burden. Complicating the dynamics of this stagnant marriage is a third party: Berlin’s Culture Department, … (seemingly) unable to intervene in the quagmire at the Staatsoper.” – Van
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