First retrospective in Canada devoted to Joan Jonas on view at DHC/ART

This first retrospective in Canada devoted to the American multi-media artist Joan Jonas (b. 1936) gives insight into the artist’s œuvre, spanning over five decades. It begins with her early choreographic works and pioneering video performances, such as the Organic Honey series, and culminates with her most recent piece They Come to Us without a Word, which was presented in 2015 at the Pavilion of the United States for the 56th edition of the Venice Biennale, and premieres in North America at DHC/ART. The multimedia installation and performance They Come to Us without a Word is emblematic of the artist’s long-term interest in environmental politics, the landscape and ghost stories of Nova Scotia as well as the writing of the Icelandic author Halldór Laxness. Since the late 1960s, Jonas has intermeshed various practices to investigate notions of gender,

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