Exhibition at Kunsthalle Bremen focuses on French printmaking in the age of Louis XIV

This exhibition presents outstanding French prints from 1650 to 1715, an era in which the magnificence of Absolutism reached its climax. During the reign of Louis XIV, a principal task of the fine arts was to spread the glory and splendour of the Sun King as a statesman, general and patron far beyond the borders of his own country. Prints were especially suited to this purpose. They were easy to transport; they could be produced in great numbers; they were sold individually or sumptuously bound together, and they could unequivocally serve political aspriations. Engravings after paintings in the King’s collections, views of his palaces, and images of his military victories advanced them to highly respected prestige objects. In 1660, Louis XIV freed engravers from the restrictions of the guild system and elevated them to the rank of free artists. In 1663 they were allowed to enter the Royal Academy, which provided standardized training and thereby ensured an extraodinarily high leve

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